Ben Chou meets the minds behind the movies at BAAFF

The Boston Asian American Film Festival has a special meaning for us, as it’s one that we had the pleasure of covering back in the show’s early days. In October, the festival returned for its 15^th year and my co-host Ben Chou was there for it. In this three-interview collection he speaks with the great filmmakers whose works were screened as part of BAAFF.

 

First up is Michele Rae Jouse for her documentary, “Nurse Unseen.” The film explores the little-known history and humanity of the unsung Filipino nurses risking their lives on the frontlines while facing a resurgence of anti-Asian hate in the streets.

 

Michele talks about the personal connection to the story, as well as the much wider tale told through the 92-minute film. She and Ben look at the history behind the Filipino nurses, as well as the many interviews done as part of the writing process. They talk about the impact of the COVID-19 pandemic and its impact on the healthcare community.

 

The next interview is with Director/Producer Jennifer Takaki, Executive Producer George Hirose and Producer Linda Lew Woo for the documentary “Photographic Justice: The Corky Lee Story.” Corky Lee passed away in 2021, a victim of the COVID-19 pandemic. The film is an intimate portrait of the life, work, and advocacy of pioneering Chinese American photographer Corky Lee. Takaki followed Corky Lee for nearly 20 years, documenting triumphs and tragedy.

 

Jennifer, Linda and George go into the 20-year process and all the things they saw and memorable moments of the filmmaking process, of which there were many. They talk about Corky’s five-decade career and the many, many things he photographed and the advocacy aspect of his work. They talk about the importance of having a good editor on the project and what they hope people take away from watching the film.

 

Closing out this episode is Jonathan Hsu, the producer of the narrative feature “Starring Jerry as Himself” and narrative short “Closing Dynasty (aka. Queenie).” The first film shows how a family documents how their immigrant father Jerry, a recently retired Florida man, was recruited by the Chinese police to be an undercover agent, only to discover a darker truth. The short shows us how on a school day, a 7-year-old hustles strangers for money on the streets of New York City.

 

Jonathan takes us through both films and the stories behind both and Ben offers his own perspective and how it impacted him. They talk about the shared theme of both films and how they were developed from there. Jonathan talks about personal connection with “Starring Jerry” and how the strong familial connection influenced the story.